That Quiet Earth
In this series I am interested in looking beyond the traditions of topography and place. I am including objects and things that you wouldn’t normally see in landscape. Often these are objects that might have seen a former elegance but now are unwanted or discarded but play a key role in the narrative and metaphor of the picture. As Shakespeare said, “Beauty is but a vain but doubtful good.”
“I lingered round them, under that benign sky; watched the moths fluttering among the heath and hare-bells; listened to the soft wind breathing through the grass; and wondered how anyone could every imagine unquiet slumbers for the sleepers in That Quiet Earth.” Emily Bronte. ‘Wuthering Heights’.
'That Quiet Earth' (after Emily Bronte) Oil on panel - 122cm x 75cm In the collection of Ms Carol Kemp
'That Quiet Earth: Le Dejenuer Sur L'Herbe' Oil on panel - 122cm x 60cm
'Lockdown Morning, A View From Caesar's Camp, Hampshire' Acrylic on panel - 122cm x 90cm
'Bishops Meadow, Farnham' Acrylic on panel - 150cm x 90cm In the collection of Mr & Mrs Damian Magee
'That Quiet Earth: Imagine Unquiet Slumbers' (After Emily Bronte) Oil on panel - 100cm x 42cm
'That Quiet Earth: Misplaced' - Sketch Oil on panel - 30xm x 26cm
'Love Is A Smoke Made With The Fume Of Sighs - the River Wey near Frensham' Oil on panel - 61cm x 53cm In the collection of Mrs Rebecca Nicholls
'The Landscape Of The Vernal Equinox' Oil on canvas - 81cm x 61cm
'That Quiet Earth - Dawn At King's Ridge, Farnham' Oil on panel - 100cm x 60cm In the collection of Mr & Mrs Andrew Rubio
'That Quiet Earth - Evening Sausalito, San Francisco, California' Oil on canvas - 81cm x 61cm In the collection of Mr & Mrs Ed Nelson
'Winter Floods In Bishop's Meadow, Farnham' Oil on panel - 84cm x 61cm
'A Leopard Print Armchair At Cressell Crags. After George Stubbs' Oil on canvas - 40cm x 30cm